Friday, October 14, 2011

Recapping the Summer...

About this time of year as the rain comes down... and I have to remember to wear socks... I reflect on the warmth and lazy days of the summer...  and the funny things I take photos of...
Sometimes these make it into work... 
other times they feed the work.

Enjoy! & as always thanks for reading these wandering...

Sunrise...


a sign...


to head to the sky for a better look...


landing...


night...


bench sitting...


peeps...


 
reflecting on the line of people...


back to the beginning...


waiting to rest...


or roll in the grass...


enjoying the last bits of abundance...


Wednesday, October 12, 2011

Object Acquisition # 2007-11 Acuity Projector

Documenting objects from The Hunt Show:



Object Acquisition # 2007-11 Acuity Projector
Object interpreted and Statement by Casey Judy www.caseyjudy.com

"It’s not easy growing old"

My 90-year-old- Grandpa is mentally sharp for his age and has always been an avid reader but he has macular degeneration, which blinds some areas in his eyes’ retinas. These days he can’t read nearly as well and is forbidden to drive at night, both of which diminish his quality of life. Because I’ve been living with him for the last three years to keep him company and help him when I can, I see his degeneration first-hand. And, it’s painful to watch.

Grandpa’s failing eyesight became a source of inspiration for my artwork in the OHSU scavenger hunt project – as did a little serendipity. That is, to decide which artist in this exhibition got what object to work from, we pulled numbers associated with the objects from a basket. I blindly selected the acuity projector by Kenneth Swan, founder of the Casey Eye Institute. This turn-of-the-century machine measures the acuity of a person’s vision, which really hit home for me because of my Grandpa; and it’s a funny twist because my name is Casey.
What I have made for this project is very different from my usual work of bright and vibrant colors. My piece is white representing the light projected from the Acuity Projector. Then I have carved the chart into the plaster, but the numbers and letters shown are significant to my Grandpa’s life. Reading this eye chart I have created, all in white makes it difficult for some to even see at all. This is similar to what my Grandpa sees. The splotches of white paint on top of the plaster represent the splotches in his eyes.  The complete work reflects what we all must deal with, if we’re lucky: Growing old. 











Sunday, October 2, 2011

Object Acquisition # 77-96.1.35 Electro Diagnostic Set

Documenting objects from The Hunt Show:



Object Acquisition # 77-96.1.35
Object interpreted and Statement by Beth I. Robinson www.robinpress.com

Transillumination - enlightenment through the process of examination

“Transillumination maybe explained as directing a highly concentrated, penetrating chromatic light through the process of examination. The transmission of this light through the process, by virtue of reflection and selective absorption enables us to actually see what conditions exist. Darkness or Light, which one for you?”
Text from a small brochure enclosed with Dr. J. C. Bartlett, M.D.’s Electro Diagnostic Set from the Medical Archives at Oregon Health and Science University.
In these transillumination drawings, I am shedding chromatic light on these confused, cold and car-wreck like recontextualized anatomy parts. It is my hope, that We, the people, will see what actual conditions exist within our current healthcare system.
















Butterfly stitched spine, white Stonehenge pages with Gampi paper cover, watercolor crayons, digital collage, drawing, 
$600 includes box




Curators Note: I was also the curator for this show... My fellow artist twisted my arm to take the last object.  I wrote in my curator notes (which I will post the entirety at the end)...

I have been humbled at the excitement of my fellow artists/hunters to join me in “the hunt.”

Each one of these objects randomly chosen made their way to the right person. My own object is a large flashlight used to bring light in dark places. Much like any curator’s job should be.





Friday, September 30, 2011

Peepshow Gets Press



Mo looking out to her future of amazin...
Good Luck and Thank you for all your hard work!
You made Eugene stir with art!



Bob Keefer wrote a beautiful article

Nice photo of one of the newest images from the
Robin Press Studio...


Come out to the Last Friday Celebrations...

in either Cottage Grove or Eugene....

Support Art!

Saturday, September 24, 2011

Apple Pie Antiques Last Friday Events!




The Day I wore Invisible Socks
digital collage, edition of 25
Heavy weight paper 8"x10

Last Friday in Cottage Grove...
 September 30 6-8 @ Apple Pie Antiques!

Apple Pie Antiques will feature art most of you had only one chance to see last year and new work. Please come and support downtown Cottage Grove and meet the wonderful owners 
Susie & Randy. And see their amazing wears!

Not to mention, my dearest friend
will be there with her books. 


Her new one is about a young girl transported back into the time of Queen Elizabeth. A must read for young readers.

It is true you read the last blog entry right:
 I will be showing @ 2 last Friday events 
in 2 different cities @ once!

I will be physically at the Lovely Apple Pie Antiques in Cottage Grove, OR until the event is over... about 9 p.m. 
Then I will head up to The Voyeur in Eugene.


Looking forward to seeing you!

Apple Pie Antiques
811 E Main St # D
Cottage Grove, OR 97424
541-942-0057

Support Art!

The Voyeur Peep Show Grande Finale!!! One Night Only!





"The Voyeur will be having one last show before it's time to go. Moving on down the road and so pleased with all that has been accomplished here and so grateful to those who have been a part of this experience." 

Mo Bowen owner of The Voyeur

This Peep show will feature the works of local artists: Sean Aaberg, Mo Bowen, CVO Projects, Bill Holderfield, Aidan Holupuch, Lindsay LePon, Sarah Refvem, Beth I. Robinson, and Anthony Slyva.

Also, Tim Lewis presents the best of Picture Eugene...
to be shown outdoors when the sun goes down!
And when we say it's not to be missed... we mean it.
This is ONE NIGHT ONLY!
So don't be a fool. And bring cash, cuz you are going to be impressed! Join us in one hell of a celebration!
Cheers y'all! and Thanks!

Friday, September 30 6:00-11:30 p.m.
The Voyeur, 547 Blair St., Eugene, OR

Object Acquisition #77- 300.4.18 Facial Casts


Documenting objects from The Hunt Show:


Object Acquisition # 77- 300.4.18
Object interpreted and Statement by Ben Rood


When I first approached my objects at the Oregon Health and Science University I got the feeling that early science often gives me, the creeps. The plaster casts of facial deformities were crudely assembled and displayed. The molds were coated with a pinkish wax and bits of eyebrows were stuck to them, mounted like medical trophies I couldn’t help being semi-repulsed. I was looking at human faces but to me they did not at all feel like they were human. In response to these objects I created a body of work that examined and abstracted natural structures. A series of small mixed media paintings on board mounted in frames. The level of abstraction forces the viewer to closely examine the paintings but never offers any answer as to what or why. The idea is to create both attraction and frustration, much like I felt looking at the original objects.  


 













Thursday, September 22, 2011

Object Acquisition #77-148.1.6 Skull

Documenting objects from The Hunt Show:




Object Acquisition # 77-148.1.6 Skull
Object interpreted and Statement by brianna cross

"To Toil"

The combined focus of exploring a material and manipulating its intentioned use to create an object is my main motivating factor for art making. It also is about the ability of this process to drown out the continuous cluttered noise of the modern world. For me the act of making is about creating ones own rules. Following instincts and impulses as well as a believing in the existence of visions and epiphanies. 









Note from the curator:
I just want to point out that Cross created this fabric by continually sewing over a clear material that dissolves in water. She then cut this amazing piece to create her sculpture.

Wednesday, September 21, 2011

Object Acquisition # 77-1.1.34 Amputation Kit

Documenting objects from The Hunt Show:



Object Acquisition # 77-1.1.34 Amputation Kit
Object interpreted and Statement by Amanda Wall-Graf

"Phantom Limb"


A majority of amputees suffer from Phantom Limb Syndrome: while their appendage may be severed, their brain has not yet caught up to the current situation. They can still feel their missing limb, itching, getting wet or, more often than not, in pain. It's there, but not quite right.


I was inspired by the disquieting amputation kit in OHSU's collection to make a piece that explored the aftermath of such trauma. "Phantom Limb" considers the relationship between the lost extremity and the neural networks that must renegotiated.














Tuesday, August 30, 2011

Object Acquisition # 77- 106.1.81 German Field Surgical Kit

Documenting objects from The Hunt Show:






Object Acquisition # 77- 106.1.81 German Field Surgical Kit

Object interpreted and Statement by 
Allie Bentley     http://www.etsy.com/shop/alliebonline


At the time of conception for this project the US was actively fighting war in four countries. The year is 2011.  
When I began “The Hunt” earlier this winter and experienced my object I couldn’t help but become overwhelmed by the sadness of war. My original object being a World War II German Surgical Field Kit had been used in active duty. The box – not much bigger than a shoebox – shone brightly in high-polished steel and held tray after tray of instruments meticulously fit inside one another for known placement upon urgent need.  
I felt a sense of uselessness for this entire object. If it exists only to heal or cure those who do harm, why heal them? Why heal the warmonger if they will only continue to cause death and destruction?
I’ve titled this piece, “…And after all the years we still haven’t learned to love” (from the 1960’s film It Started in Naples) because I feel as though we, the human race, haven’t learned to love.  We haven’t learned from our history of death and destruction; haven’t moved forward from those fighting days in World War II when today, we continue this uselessness.











Friday, August 26, 2011

Object Acquisition # 77- 206-46.4 Metal Nipple Shields

Documenting objects from The Hunt Show:





Object Acquisition # 
77- 206-46.4 Metal Nipple Shields

Object interpreted and Statement by Alex Weber


Carbon, glass, and nipple 
“For the prevention and cure of Sore Nipple, these Shields should be applied as soon after delivery as possible, and in using them the only attention required is to wipe the Nipple previously to nursing and apply the Shield again immediately afterwards. They are in no way likely to be injurious to the infact…Should the edge of the Shield become inverted, it may be instantly restored by being laid on a flat surface, and rubbed round with the finger.” 
Directions for the use of Dr. Wansbrough’s Metallic Nipple Shields, July 1842
The relationship that a mother’s nipple has to a child’s development is fundamental. Humans are nursed to maturation. A woman’s nipple comes into contact with a nursing infant a bodily connection is formed; the nourishment of life through milk.
Of particular curiosity in this creative process was the point at which a child makes a physical connection with a mother. After discovering information on my assigned medical object, Metallic Nipple Shields, I realized my interest lay in creatively responding to this object using an early photographic technique. These techniques are commonly described as alternative processes. Here a glass pane has been smoked and a layer of carbon applied to one surface, thus allowing a print to register. This pane then served as a negative in a Photogram-like process. 
Young women, possibly future mothers themselves, created a social dimension to this project. They graciously lent their nipples for the creation of this piece. A special thanks to Hannah, Claire, Katrina, and Katie.  



Carbon, glass, and nipple 



Carbon, glass & nipple print



Friday, August 19, 2011

Object Acquisition # 77- 41.1.2 Einhorn Saccharometer

Documenting objects from The Hunt Show:



Object Acquisition # 77- 41.1.2 Einhorn Saccharometer
Object interpreted and Statement by Amanda Pentzak

The Einhorn Saccharometer is a device used to determine the gravity and density of sugar in a liquid solution. Though first used in making wine, sorbet, and ice-cream, it later became the primary way to test blood sugar, and diagnose diabetes.       
                 
The Saccharometer made it possible to prefect the indulgence of sugar, while also identifying illness caused by that very same knowledge. I wanted to play with the sense of duality the object possessed.
Dolly Dimples was known as "The World's Most Beautiful Fat Lady". She was one of  the most popular sideshow performers at the Ringling Brothers circus. While well over 500lbs. Dolly had many suitors and was quite glamorous. I was inspired by circus prints and the structure of the sugar molecule and human blood cells. I wanted my materials and color palette to reflect her personality. A portrait of Dolly, and her life on display. 



Dolly 



Dolly detail 



Enjoying a little summer!



After the show, I needed a little break...
So I made a hard deal with myself... 
no computer, internet, phone, studio ect... for a week...

So I went to the desert...



Got a lot of reading, walking and resting done...

In the next couple of weeks, 
I'll be posting each object from 
The Hunt show with the artist statements.
Hope your getting in your last bits of summer.