Showing posts with label Beth I. Robinson. Show all posts
Showing posts with label Beth I. Robinson. Show all posts

Monday, June 8, 2015

Go Fund Me: Art for John E. Jaqua Law Library




The Stars are Not: Put Out Every One;

I am a professional artist who decided two years ago to pursue a Masters degree in conflict and dispute resolution. Through my artwork, I record emotional responses to the process of bereavement by creating collages and book structures. Accustomed to the natural way many artist reflect emotional responses through artwork, I was confused and sadden working within my cohort and mediation clients at the lack of expressed and unacknowledged loss during conflict and how this element often intrenches conflicts into deeper stalemates. I began to ask what could conflict specialists learn from artists about grief and mourning? This project specifically illustrates how some artists express grief, mourning, trauma, conflict and loss through their work. Along with my terminal paper, I have created a companion collection of original artwork that attempts to explore the creative process within this context.

At the encouragement from my thesis committee head Professor Jennifer Reynolds, I asked the John E. Law Library if they would be interested in showing the images. The Head Librarian Mary Ann Hyatt at the University of Oregon Law School was enthusiastic and motivated to show these pieces on their 3rd Floor. These images were created to fit the 3rd floor specifically. These works have been welcomed and well received by student, faculty and staff. Mary Ann Hyatt hopes to find additional support to match the funds we raise here. I have created a go fund me project to collect half the cost so the collection can remain with the library. The funds collected will purchase the images and support my art practice and studio Robin Press.

My plans for the funds from the purchase of these images include repairing a chandler and Price Letterpress printing press from around 1889. This is a link to the Chandler & Price Press at Robin Press Studio. I will purchase new ink and paper to prepare for my next show in Bend, Oregon. also, this summer these funds will support me to be able to teach some of my cohort members from law school in creating their own modified "artist" practices. Not to mention a free art class with supplies for the local kids in my neighborhood. Thank you for supporting art!

This is the link to the go fund me: Art 4 Jaqua Law Lib

Here is what some of the funders are saying about this project:

I love this work! Thank you Beth!

This is such a great body of work - I would love to see it kept all together!

You're amazing!!

Thank you for your inspiring artwork!

With wholehearted support I want to see this collection remain in the Library for a long time to come so everyone who wanders by can take it in and process in their own way and in their own time. art is a powerful venue and Beth is the real deal!

So excited to help your art be a permanent installation of the law library; a benchmark in so many ways!

Beth, your work not only enhances the space but serves as a great example of how conflict resolution transcends the disciplines and how creative our students are. I hope we get to keep the collection - if we do I'll plan to add it to our Law Center tour.

Friday, May 8, 2015

You're invited to my masters thesis events!


You are cordially invited to attend the terminal project defense of

Beth I. Robinson, M.S. candidate
in Conflict and Dispute Resolution Program

"Mimesis & Mourning: Insights for Conflict Specialist from Art Practices"

Friday, May 15th at 10:00 am
Knight Law Center, Room 282

Also, please come to the opening art exhibition and artist talk for my terminal project exploring creative process within the context of grief and mourning.

Date: 5/29/15
Location: 3rd Floor of the John E. Jaqua Law Library
Time: 6 - 7 pm



The Stars are Not: Put Out Every One    


Artist Statement for 
Mimesis & Mourning: Insights for Conflict Specialist from Art Practices




Crow's Shadow


What can conflict specialists learn from artists about grief?  Certainly both professions deal with grief on a regular basis: many mediators work with clients who are dealing with losses and painful issues; many artists recount trauma and conflict in their narrative output. Often confused, grief is the internal feelings of loss, while mourning is the outward expression of grief. What happens if a conflict specialist is working with parties who are grieving and unable to express mourning through verbal communication? I believe that conflict specialists can learn more about the grieving process by examining how artists process grief through visual means of expression. I am a professional artist who decided two years ago to pursue a master’s degree in conflict dispute resolution at the University of Oregon.  Through my thesis project, I have created a research paper with a companion collection of original artwork that attempts to explore the creative process within the context of grief and mourning and its effect in and during conflicts.




One of the Lost Foolish Virgins


Through my artwork, I record emotional responses to the process of bereavement by creating collages and book structures. This recording of mourning started when I was eight. My grandfather, who was my best friend, died unexpectedly. The adults around me were heartbroken at his unexpected death. Even in their shock and awkwardness, they had the forethought to provide me with magazines, glue, and scissors. I learned to be fully present in those sobering moments of youthful innocence about death and refused to lose my sense of wonder. In those moments, I also rejected the dominant narratives about how to act regarding mourning, and I remained open to react in the way that was natural to the way I was feeling. Making meaning out of this bereavement allowed me to reconcile my conflicting feelings about loss and the rippling impacts of harm and confusion from the avoidance culture around me. 




The Gaze of the White Wolf


I had no idea how well these skills would serve me.  Years later, over a five-year period starting in 2005, my father, youngest brother, and mother died. These consecutive deaths gave a deeper awareness of a dominant incomplete loss mechanism leading me to further pursue how bereavement can be facilitated using visual methods and creative thought in mediation with the viewer. Bereavement made me focus on creating more artwork and showing it in a public sphere. Over the years presenting this work, grieving people continually come up to me during my shows, confused by trying to intellectualize their experiences and incomplete relationships with loss and not finding relief. Grief deals with the internal emotion of the heart and the reality of change, this first step is scary to many. Dr. Wolfelt wrote in his 2003 book, Understanding Your Grief, “Our society, western culture, has slowly converted into a mourning-avoiding culture, a culture that attempts to think of death as optional.”  Desiring deeper study of the subject, I entered the University of Oregon’s Law School in Conflict and Dispute Resolution program. 




Diagram: 282


During these last two years of study, my art and bereavement practice included obsessively collecting data, images, and information for the creation of collaged images. On completing my degree, I will have gathered 10,000 images, the largest amount I have ever collected throughout my career. During this process, I was trying to make sense and order of the universe through objects and the collection of data, information and ephemera in an effort to make bereavement visible. By making loss visible, it allows me to emotionally and intellectually continue to self determine new meaning and resolution of experienced change created from loss. This practice supplies a foundation for abstract and intellectual understanding of true self, place and the direct experience of being human, at times a substantial essence being covered over by social conditioning and anxiety surrounding grief.

I see my artwork as a portal for the viewer to witness and experience this collection or cabinet of curiosity about grief and mourning. Though this analysis and reflection, I hope looking at this work allows the conflict specialist to consider the unspoken and hidden part grief plays within conflicts in a prevailing cultural norm of grief avoidance.




All the Best,

          Beth




The May Queen





Friday, December 19, 2014

SMALL PLEASURES INVITATIONAL November 29, 2014 ~ January 17, 2015


My work is included in the Small Pleasures Invitational 2014. 

Hope to see you at one of the events!

Free Events at the Jacobs Gallery

SMALL PLEASURES INVITATIONAL November 29, 2014 ~ January 17, 2015

Special Preview for Holiday Shoppers:
Saturday, Nov. 29 from 11am - 5pm

Opening Reception:
Friday, December 5, 5:30 - 8pm

First Friday Artwalk:
Friday, December 5, 5:30 - 8 pm
Friday, January 2, 2015, 5:30 - 8 pm

Check out this movie from the 
Small Pleasures Invitational 2014 Opening Night!
\\

Sunday, October 21, 2012

Propeller Magazine Review




Wedding Dance



A couple of weeks ago a lovely young reporter named
 Holly Laycock came out to 
the studio for a visit and interview. 
We had a lovely time. 

This will take you to the

Thank you, Holly!




Open Sea





Saturday, September 22, 2012

Digital Illuminations @ Jacobs Gallery






This is a invite to:

Digital Illuminations

October 12 - November 24, 2012

It is a three person digital art show that includes:

Beth I. Robinson
Susi Steinitz Ettinger
Bob Crow

Opening Reception:
Friday, Oct 12, 5:30 - 8 pm

First Friday Artwalk:
Friday, Nov. 2, 5:30 - 8 pm


I hope to see you there!

Thursday, June 14, 2012

Artist Wanted





Hello Gentle Reader,

Please help get the word out...


is sponsoring an a creative competition were the 

THE GRAND PRIZE AWARD IS:
A Gallery show in New York City & A $10,000 Cash Grant

I have entered so please sign up to be a judge and collect me and others work you think should goto NYC


This would be a great opportunity for anyone...
Cross fingers here...
This is my page:



P.S. I have decided to Master the Art of the Shadow Puppet

Thursday, May 24, 2012

Opening @ Cannon Beach Gallery!

The night of the opening at 
the Cannon Beach Gallery was awesome...
Linda and I gave an artist talk in the mid afternoon
that was well attended and excellent questions.

Thank you to all who came out...

Here are some photos of the opening:

Welcome to The Cannon Beach Gallery!


Yup, you can touch the art!


Books and Broadsides!


Talking with folks about art and stuff.


Folks talking about art and stuff.


(L to R) Myself, 
Andrea Mace (director of Cannon Beach Gallery) 
& Linda Piacentini - Yaple



Nighty Nighty... 
Let's go find the Super Moon!


Special Thank you to Terry Brooks and his wife, Judine.
Janet Bland, Andrea Mace and all the Board Members 
of the Cannon Beach Gallery for making 
Linda and I feel so welcome in your space!

Extra special thanks to my buddies 
who came from far and wide to supported art!


Sunday, April 22, 2012

The "Books as Art" exhibition at the Cannon Beach Gallery



Dear Gentle Reader,


I am really excited about this show... First of all I will be reunited with a an old college buddy, Ms. Linda Piacentini-Yaple. Who is not only a wonderful book sculptor and creator but a really cool person and friend. It is a true honor to share a space with her. I hope you will enjoy the conversation about what books can be and I look forward to see you at Cannon Beach for the opening.


All the Best,


Beth


P.s. write when you can...


For Immediate Release:


Plans for Spring Unveiling Weekend (May 4, 5, and 6, 2012) are afoot in Cannon Beach!





The Cannon Beach Gallery is pleased to be hosting a dynamic exhibition, "Books as Arts", featuring two highly regarded Oregon artists, Linda Piacentini-Yaple and Beth I. Robinson. In addition, dozens of regional artists will be presenting their version of an altered book. The exhibition promises to be a fascinating collection of contemporary art work which explores the book as a medium in itself.


Book artist, Linda Piacentini-Yaple, creates books sculptures that tell stories about our past and present and reveal glimpses of possible futures. Piacentini-Yaple sees her work as a means of encouraging a dialogue, sometimes about uncomfortable moments in our history as a people or in our individual families. They are both engineering feats and little worlds that are sure to amaze viewers.

“The book artist interprets nature and music, decodes thoughts and ideas, clarifies questions, and illustrates answers. An artist book is the big picture-- and the smallest of its details,” Piacentini-Yaple explains. 






Linda Piacentini-Yaple "Made in Italy"



Linda Piacentini-Yaple



Linda Piacentini-Yaple



Linda Piacentini-Yaple "The Cost"



Linda Piacentini-Yaple "Folksinger"



Linda Piacentini-Yaple "Museum of the Letter"



Linda Piacentini-Yaple "Zazen"




P.s. Linda's work is thought provoking, vivid 
and questions what a book can be... BiR



Beth I. Robinson is the proprietor for Robin Press. She is a book based artist who often utilizes letterpress printing techniques, silkscreen, collage, box making, digital drawing and imaging. Her work deals with the concepts of wonder, loss, transcendence, synesthesia and the book. This show will be featuring mostly the "broadsides" from her work.






The Day I Wore Invisible socks



Leaping Formidable Rapids



Looming



The Theory of Forms



shadowlands



Witness




The gallery will also be displaying imaginative reinventions of the book in the altered book segment of the show in which regional artists took discarded volumes and created new pieces of artwork from them. Some of the artists who are participating in this segment of the show include Allyn Cantor, a former recipient of the Cannon Beach Arts Associations Individual Artist grant; calligrapher Marilyn Rooper; and contemporary painter, Roger Hayes.




The "Books as Art" Exhibit opens on Friday May 4
Artist Talk with Linda and Beth on Saturday, May 5 at 11 am
Artist Reception Saturday, May 5 from 6-8 pm


On Sunday, May 6, from 10am-12pm there 
will be a jeweler’s showcase with artist 


The "Books as Art" Show will also have a 
piece installed at:

This is a reeeeeaaallly great browsers books store... BiR



Thank you's go to author 
Terry Brooks and his wife, Judine 
for sponsoring for this show.

P.s. His books are Awesome... just sayin... BiR

And to the Cannon Beach Gallery for supporting Art


(The Cannon Beach Gallery began an exhibit underwriter program in 2012 to off-set the expenses of running the not for profit gallery, which is in itself a program of the Cannon Beach Arts Association. Maybe the next sponsor could be you.)