Friday, September 30, 2011

Peepshow Gets Press



Mo looking out to her future of amazin...
Good Luck and Thank you for all your hard work!
You made Eugene stir with art!



Bob Keefer wrote a beautiful article

Nice photo of one of the newest images from the
Robin Press Studio...


Come out to the Last Friday Celebrations...

in either Cottage Grove or Eugene....

Support Art!

Saturday, September 24, 2011

Apple Pie Antiques Last Friday Events!




The Day I wore Invisible Socks
digital collage, edition of 25
Heavy weight paper 8"x10

Last Friday in Cottage Grove...
 September 30 6-8 @ Apple Pie Antiques!

Apple Pie Antiques will feature art most of you had only one chance to see last year and new work. Please come and support downtown Cottage Grove and meet the wonderful owners 
Susie & Randy. And see their amazing wears!

Not to mention, my dearest friend
will be there with her books. 


Her new one is about a young girl transported back into the time of Queen Elizabeth. A must read for young readers.

It is true you read the last blog entry right:
 I will be showing @ 2 last Friday events 
in 2 different cities @ once!

I will be physically at the Lovely Apple Pie Antiques in Cottage Grove, OR until the event is over... about 9 p.m. 
Then I will head up to The Voyeur in Eugene.


Looking forward to seeing you!

Apple Pie Antiques
811 E Main St # D
Cottage Grove, OR 97424
541-942-0057

Support Art!

The Voyeur Peep Show Grande Finale!!! One Night Only!





"The Voyeur will be having one last show before it's time to go. Moving on down the road and so pleased with all that has been accomplished here and so grateful to those who have been a part of this experience." 

Mo Bowen owner of The Voyeur

This Peep show will feature the works of local artists: Sean Aaberg, Mo Bowen, CVO Projects, Bill Holderfield, Aidan Holupuch, Lindsay LePon, Sarah Refvem, Beth I. Robinson, and Anthony Slyva.

Also, Tim Lewis presents the best of Picture Eugene...
to be shown outdoors when the sun goes down!
And when we say it's not to be missed... we mean it.
This is ONE NIGHT ONLY!
So don't be a fool. And bring cash, cuz you are going to be impressed! Join us in one hell of a celebration!
Cheers y'all! and Thanks!

Friday, September 30 6:00-11:30 p.m.
The Voyeur, 547 Blair St., Eugene, OR

Object Acquisition #77- 300.4.18 Facial Casts


Documenting objects from The Hunt Show:


Object Acquisition # 77- 300.4.18
Object interpreted and Statement by Ben Rood


When I first approached my objects at the Oregon Health and Science University I got the feeling that early science often gives me, the creeps. The plaster casts of facial deformities were crudely assembled and displayed. The molds were coated with a pinkish wax and bits of eyebrows were stuck to them, mounted like medical trophies I couldn’t help being semi-repulsed. I was looking at human faces but to me they did not at all feel like they were human. In response to these objects I created a body of work that examined and abstracted natural structures. A series of small mixed media paintings on board mounted in frames. The level of abstraction forces the viewer to closely examine the paintings but never offers any answer as to what or why. The idea is to create both attraction and frustration, much like I felt looking at the original objects.  


 













Thursday, September 22, 2011

Object Acquisition #77-148.1.6 Skull

Documenting objects from The Hunt Show:




Object Acquisition # 77-148.1.6 Skull
Object interpreted and Statement by brianna cross

"To Toil"

The combined focus of exploring a material and manipulating its intentioned use to create an object is my main motivating factor for art making. It also is about the ability of this process to drown out the continuous cluttered noise of the modern world. For me the act of making is about creating ones own rules. Following instincts and impulses as well as a believing in the existence of visions and epiphanies. 









Note from the curator:
I just want to point out that Cross created this fabric by continually sewing over a clear material that dissolves in water. She then cut this amazing piece to create her sculpture.

Wednesday, September 21, 2011

Object Acquisition # 77-1.1.34 Amputation Kit

Documenting objects from The Hunt Show:



Object Acquisition # 77-1.1.34 Amputation Kit
Object interpreted and Statement by Amanda Wall-Graf

"Phantom Limb"


A majority of amputees suffer from Phantom Limb Syndrome: while their appendage may be severed, their brain has not yet caught up to the current situation. They can still feel their missing limb, itching, getting wet or, more often than not, in pain. It's there, but not quite right.


I was inspired by the disquieting amputation kit in OHSU's collection to make a piece that explored the aftermath of such trauma. "Phantom Limb" considers the relationship between the lost extremity and the neural networks that must renegotiated.














Tuesday, August 30, 2011

Object Acquisition # 77- 106.1.81 German Field Surgical Kit

Documenting objects from The Hunt Show:






Object Acquisition # 77- 106.1.81 German Field Surgical Kit

Object interpreted and Statement by 
Allie Bentley     http://www.etsy.com/shop/alliebonline


At the time of conception for this project the US was actively fighting war in four countries. The year is 2011.  
When I began “The Hunt” earlier this winter and experienced my object I couldn’t help but become overwhelmed by the sadness of war. My original object being a World War II German Surgical Field Kit had been used in active duty. The box – not much bigger than a shoebox – shone brightly in high-polished steel and held tray after tray of instruments meticulously fit inside one another for known placement upon urgent need.  
I felt a sense of uselessness for this entire object. If it exists only to heal or cure those who do harm, why heal them? Why heal the warmonger if they will only continue to cause death and destruction?
I’ve titled this piece, “…And after all the years we still haven’t learned to love” (from the 1960’s film It Started in Naples) because I feel as though we, the human race, haven’t learned to love.  We haven’t learned from our history of death and destruction; haven’t moved forward from those fighting days in World War II when today, we continue this uselessness.











Friday, August 26, 2011

Object Acquisition # 77- 206-46.4 Metal Nipple Shields

Documenting objects from The Hunt Show:





Object Acquisition # 
77- 206-46.4 Metal Nipple Shields

Object interpreted and Statement by Alex Weber


Carbon, glass, and nipple 
“For the prevention and cure of Sore Nipple, these Shields should be applied as soon after delivery as possible, and in using them the only attention required is to wipe the Nipple previously to nursing and apply the Shield again immediately afterwards. They are in no way likely to be injurious to the infact…Should the edge of the Shield become inverted, it may be instantly restored by being laid on a flat surface, and rubbed round with the finger.” 
Directions for the use of Dr. Wansbrough’s Metallic Nipple Shields, July 1842
The relationship that a mother’s nipple has to a child’s development is fundamental. Humans are nursed to maturation. A woman’s nipple comes into contact with a nursing infant a bodily connection is formed; the nourishment of life through milk.
Of particular curiosity in this creative process was the point at which a child makes a physical connection with a mother. After discovering information on my assigned medical object, Metallic Nipple Shields, I realized my interest lay in creatively responding to this object using an early photographic technique. These techniques are commonly described as alternative processes. Here a glass pane has been smoked and a layer of carbon applied to one surface, thus allowing a print to register. This pane then served as a negative in a Photogram-like process. 
Young women, possibly future mothers themselves, created a social dimension to this project. They graciously lent their nipples for the creation of this piece. A special thanks to Hannah, Claire, Katrina, and Katie.  



Carbon, glass, and nipple 



Carbon, glass & nipple print



Friday, August 19, 2011

Object Acquisition # 77- 41.1.2 Einhorn Saccharometer

Documenting objects from The Hunt Show:



Object Acquisition # 77- 41.1.2 Einhorn Saccharometer
Object interpreted and Statement by Amanda Pentzak

The Einhorn Saccharometer is a device used to determine the gravity and density of sugar in a liquid solution. Though first used in making wine, sorbet, and ice-cream, it later became the primary way to test blood sugar, and diagnose diabetes.       
                 
The Saccharometer made it possible to prefect the indulgence of sugar, while also identifying illness caused by that very same knowledge. I wanted to play with the sense of duality the object possessed.
Dolly Dimples was known as "The World's Most Beautiful Fat Lady". She was one of  the most popular sideshow performers at the Ringling Brothers circus. While well over 500lbs. Dolly had many suitors and was quite glamorous. I was inspired by circus prints and the structure of the sugar molecule and human blood cells. I wanted my materials and color palette to reflect her personality. A portrait of Dolly, and her life on display. 



Dolly 



Dolly detail 



Enjoying a little summer!



After the show, I needed a little break...
So I made a hard deal with myself... 
no computer, internet, phone, studio ect... for a week...

So I went to the desert...



Got a lot of reading, walking and resting done...

In the next couple of weeks, 
I'll be posting each object from 
The Hunt show with the artist statements.
Hope your getting in your last bits of summer.

Wednesday, July 20, 2011

Hope you get a closer look at The Hunt before it closes!



The Hunt is a group show that documents a gentle “scavenger hunt” within Oregon Health and Science University’s Historical Collection and Archives. The item "found" was interpreted or utilized as inspiration by each of the artists into the creation of a new piece (without any harm done to the item "found.")

Artist Warren Buss received the number
 77-271.1.2 for the Phoropter-Ocular

This is his artist statement:

I have provided for the purposes of this exhibition the last series of phoroptical images in my collection, the rest having decayed beyond usability. Even these are quickly fading. What you see are all that remain as testament to my many years of research and meditation. My sole purpose in making these images has been to improve the lives of my subjects, by increasing their insight into the deepest, most obscure parts of their psyches.

My device, which I have called a phoroptor*, enables me to look deeply into the eyes of my subjects, reading with great precision things of which they themselves are not aware. Images of these depths are captured by my device for me to interpret at my leisure. While the capture of these images is in itself miraculous, the true value comes from my interpretation of these images, based on my accumulated experience and wisdom.

In my research I have discovered that the eyes are not duplicates of one another – they do not both hold the same information. The right eye most often speaks to appearances, to objective experience, to whatever self-awareness the subject already possesses; while the left frequently speaks to what is hidden from the subject, to things they are not aware of about themselves and their lives.

By combining the information from both eyes, I can provide for my subjects a balanced insight into their psyches – information they can use to better their lives at the most profound levels – not the superficial levels offered by so-called scientists. For an example of how these charlatans would seek to devalue my work, one of them has noted that a byproduct of my reading process produces a random series of numbers, which, when used in the formulation and refinement of ground glass, improves the eyesight of the subject.

I ask you: when judged against the self-knowledge my readings impart, how does merely having better eyesight compare in any meaningful way? Meaning in life is found by looking inward, not out.

Let me conclude. By presenting to you the evidence and theory behind my device, I hope to rescue it within your estimation from the depredations of those who would seek to either discredit it as mere quackery or to subvert it to more base purposes. Thereby to reserve for myself and my research their proper place in history.

Yours truly etc. 
W.K. Buss Phoroptorist

* from the Ancient Greek: “bringer of sight”




This is the last series of 
phoroptical images in W.K Buss collection







Thursday, June 23, 2011

Your Official Invite to The Hunt Opening!!




The Hunt
Curated by Beth I. Robinson
July 7- July 27, 2011
The Hoffman Gallery on the Oregon College of Art and Craft Campus
Opening reception on Thursday, July 7 from 4:00-7:00
This group show documents a gentle “scavenger hunt” within 
Oregon Health and Science University’s 
Historical Collection and Archives. 
The item "found" was interpreted or utilized as 
inspiration by each of the artists into the creation of a 
new piece (without any harm done to the item "found.")
It will be a great opportunity for artists and viewers 
to reflect on the importance of these collections.

Special Thank You to:
Ian Terrell, Jessie Benenson & Tiger Harry
Sarah, Karen & Maija from Oregon Health & Science University
Historical Archive and Collections
Arthur @ the Hoffman Gallery
Oregon College of Art and Craft
The 30 Amazing Artists
Maria & Marilyn
Robert: my sweet understanding fella