Showing posts with label Cyan Bott. Show all posts
Showing posts with label Cyan Bott. Show all posts

Tuesday, June 18, 2013

The Lake Oswego Festival of the Arts



I am the master of my fate;
SOLD


Digital image printed on William Turner
 paper mounted on a birch panel.

June 21, 22 & 23
is the 50th Anniversary of the 
Lake Oswego Festival of the Arts...

In the hall of the Lakewood Center there 
will be 50 pieces on 24"x 24" 
birch panels celebrating 
50 years of art.

Opening Reception:

Friday, June 21, 2013
6 - 7 p.m.
KeyBank Pavilion Tent


Some involved are:

Ben Rood
Cyan Bott
Lisa Onstad
Kyle Durrie
David Bernard
Bill Schlegel
Jack Voekel
Benny Soeby
Jesse Reno
Dylan Burt
William Park
Cassandra Poulson
Theresa Andreas O'Leary
Bob Schlegel
John Allgood
Lisa Wiser
Judy Wise
Laura Buchan
Jan Rothermel
Stephanie Lee
Annie Goodrich

And a Eugene Favorite Painter:
Sarah Refvem

I am excited to be invited to participate and
hope to see you there!

While in town be sure to head over to
OCAC for a look at the Alumni Show.




Friday, October 21, 2011

Object Acquisition # Spratt, G.

Documenting objects from The Hunt Show:





Object Acquisition# A newly acquired book with anatomical flaps: Spratt, G. Obstetric Tables: Comprising Graphic Illustrations, with Descriptions and Practical Remarks: Exhibiting on Dissected Plates Many Important Subjects in Midwifery. Philadelphia: James A. Bill, 1850
Object interpreted and Statement by Cyan Bott



Thank you for looking.

Can anything be art when imbued with meaning? Is it art or is it memory?

Do they function the same?

For this piece, I was working from the memory of an object, trying to recreate that memory in tangible form. That image that I saw initially - and the meaning I took from it - were the jumping-off point. From there it was just a free-fall of responding to the materials at hand.

Process - based work, created by the natural rhythms of the hands, has a different resonance than that which is premeditated. There is room for evolution, immediacy and expressiveness when responding to things as they surface. It's a process of decision making and being able to follow your gut. Ultimately it is all about the confidence you have in your decisions and the actual conviction behind them.

For me, making is an escape from intellectualism, It's one of the few things that I can do on autopilot, using my eyes and hands to guide me.

"Manipulating material is a way to speak."
Jessica Stockholder